Kentidge Visual Art Theory Resistance Art
It is important to differentiate between signed machine prints and individually (hand) made etchings. In view of a previous piece I wrote posing the question whether Kentridge is mass producing works of art, I am specifically devoting some space to the process involved in the making of limited edition etchings, such as the Nose series.
At the launch of the Nose series, Kentridge explained in some detail the principles of etching and I will attempt to summarise the process. Kentridge described how a flexible sheet of copper is ‘damaged’ in a number of ways and ‘inked up’ to reveal all that has been ‘inflicted’ upon the plate, making a physical record of a drawing. Drypoint marks are softened by sugarlift aquatint and punctuated, in several of the plates in this series, with red. Condensed milk was mixed with Indian ink and applied with a brush or pen to ‘tell’ the…
View original post 311 more words